In the early 1480s, Bosch wed a wealthy woman whose family money enabled him to pursue a career as an artist. The disaster may have “influenced Bosch’s later works, some of which include blazes raging in their backgrounds,” wrote Claire Selvin for ARTnews in 2020. Born into a family of painters between 14, he likely witnessed a devastating fire in his hometown during his youth. “The exhibition explores eternal human themes rendered by Bosch in an utterly original pictorial language: the choice between virtue and vice, the questions of faith and truth, experiencing unfettered desires and mastering them, as well as the spiritual quality of human existence,” notes the museum on its website.īosch himself is a man mired in mystery. Madrid, Museo Lázaro Galdiano, © Museo Lázaro Galdiano, Madrid Hieronymus Bosch, Saint John the Baptist in the Wilderness, circa 1480–1485 New York, The Metropolitan Museum of Art, John Stewart Kennedy Fund 1913 © New York, Metropolitan Museum, Kennedy Fund Hieronymus Bosch, The Adoration of the Magi, circa 1475 Each of the show’s seven sections discusses a different aspect of the painter’s life and work, from the religious views that shaped his art to his evolving legacy. These masterpieces are placed in conversation with works that inspired Bosch and vice versa. Highlights of “Hell and Paradise” include the Musea Brugge’s Last Judgment triptych, the Louvre’s Ship of Fools, the Metropolitan Museum of Art’s Adoration of the Magi and the Städel Museum’s Ecce Homo. According to a statement, it’s the “most comprehensive exhibition” of the artist’s works ever held in Central Europe, and includes nearly half of the handful of paintings- just 25 in total-attributed to him. “ Between Hell and Paradise: The Enigmatic World of Hieronymus Bosch” features almost 90 works by the Old Master and his peers. Six years after Bosch’s hometown of ‘s-Hertogenbosch hosted the largest-ever retrospective of his work, a smaller yet similarly ambitious exhibition is making its debut at the Museum of Fine Arts, Budapest (MFAB) in Hungary. Painted in the late 15th and early 16th centuries, the Dutch artist’s hellscapes are both warnings for Christians hoping to avoid an afterlife of eternal pain and visually sumptuous feats of imagination. These chaotic scenes and others like them have cemented Bosch’s status as “one of handful of truly original creators of hell,” writes Alice K. Yet another sinner is crucified on an enormous harp about to be plucked by a demon whose body resembles a tree. A gambler has his hand impaled on a table as a furry creature closes its paw around his neck. A hare captures a former hunter, trussing him up to a pole as a pair of hunting dogs maul a man nearby. In Hieronymus Bosch’s visions of hell, Satan and his followers subject sinners to an endless parade of punishments.
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